Tim Mangan, the Register’s classical music critic, wanted to let everyone know how to make the perfect martini. Let us know how these turn out if you decide to make them, and if you’ve got your own drink tips, leave them in the comments below. Take it away Tim …
The first step in making a good martini is to throw away your vodka. Sorry, but there it is. No self-respecting martini drinker would be caught alive with a so-called “vodka martini” in his hand, a misnomer if there ever was one, since there is no such thing. Martinis are made with gin. Deal with it.
Making a martini is really rather simple (unless, perhaps, you’ve had a couple), but it’s also pretty easy to mess up. But to my mind, when properly made, there’s no more satisfying after-work, pre-dinner drink to be had — clean, medicinal and, best of all, powerful — so follow my instructions closely.
First (OK, second, since you’ve already thrown away the vodka), slap a Dean Martin CD on the stereo. Listen for a while, then turn it off, so you can concentrate. I’ll trust that you have martini glasses and a metal cocktail shaker. If not, stop reading and go to the store now (try Crate and Barrel).
Back? All right, now you need a good gin. Tanqueray and Bombay Sapphire are reliably good — but don’t buy any of their flavored varieties. Ever. The best gin I’ve ever had is Hendrick’s, a small batch Scottish gin, widely available these days, pricey but worth every shot. If that’s over your monthly budget, Trader Joe’s offers an exceptional gin under its own label for less than $10. It’s called Rear Admiral Joseph’s.
The vermouth doesn’t matter a lot; you’re not going to use that much of it anyway. Martini and Rossi is fine. But it must be dry vermouth or just forget the whole blasted thing.
Really, people.
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